Allow me to point out, in the words of the mighty and fictional Basil Fawlty, “the bleedin’ obvious”.
Stand-up comedy is a spoken word art-form. Same for any kind of public speaking.
Yet, almost without exception, the spoken words are developed in the written form.
Until they are suitably advanced, readied for the verbal.
Writing is a discipline. It is not necessarily easy. It can, however, be made easier.
Meet the premise for this blog… write, and write often. It’s free. Essential.
The writer will often get in their own way by setting some arbitrary standard for themselves, for example, “I’m going to write for an hour every day”.
Such a high bar invites failure. When the budding writer fails to meet it, the ambition fades and quite possibly, the private self-loathing and frustration bloom a little.
The simple and effective way is to… “Just ten minutes”.
You can always find “Just ten minutes” in a 24-hour period.
At worst, you did something. The frustration/self-loathing should be absent/minimal.
Hey, “writing time” doesn’t mean you actually have to write. It helps if you do, but it’s not essential. It’s just that you can’t do anything else either. No phones, no films, no doodling… Use this time to ponder. Think on some of your concepts. Feed your sub-conscious with contemplation.
I believe you’ll often be happily surprised with a luscious “random” angle that pops into your head a day or two later.
Give your sub-conscious genius an opportunity to intervene later, by focusing for “Just ten minutes” sooner.
Quite likely, having broken the back of making oneself sit down and commit to ten minutes of actual writing, the juices will start to flow, an idea emerges, an image amuses… and off you go, scribbling or typing away for some time longer than “Just ten minutes”.
After a few weeks of “Just ten minutes” action, the likelihood is a habit will have developed.
Further, since this is now a routine part of your creative process, you will be much more attuned to the world, savvy to new inspirations, sharper to new observations… meaning more good stuff going through your funny filtration system.
A typical process of developing a joke/bit might run as follows:
An idea emerges in the mind of the comedian. A premise is identified. Some skewed idea or observation is the seed.
The comedian then writes the premise down.
They then begin to flesh out the originating idea/observation by asking themselves questions, such as…
What associations are there?
How is it commonly understood?
What’s it like?
What would the inversion of that be?
What’s the logical conclusion?
How could it be described/explained?
What unusual “angle” can be brought to bear?
Etc. Etc. Etc.
Writing is the critical second step in generating stand-up. The first is the originating idea/observation.
However, the first idea is often not the best idea. It is most often valuable as the genesis of superior ideas.
I literally teach my school-age son, when it comes to creative writing, something along the lines of this:
“The first take is what everyone will likely share. The second idea, from the first, is what the more creative and imaginative kids will reach for. Once you get to the third idea, and beyond, whatever else, you’ll almost certainly be in the territory of original ideas”.
The point being, use your first idea as fuel to reach superior versions of the originating concept.
Regular writing is essential for:
· Identifying ideas
· Developing some of those ideas
· Dropping many of them
· Finding better ideas
· Fleshing them out into new territory
· Returning and realising something really wasn’t so good as you first thought… yet it sparked something new and promising
· Keeping you attuned to the world and knowing some of your takes are going down on paper/screen.
The improved takes will more easily reveal themselves when written out, re-directed on paper, stand-up skills applied… The written word and the spoken word are twins. However, they are not identical.
For example, homonyms and homographs are incredible resources for stand-up comedians. The perfect seed for misdirection and generating surprise in the audience.
For those who aren’t already aware, Homonyms are words that sound the same, yet are spelled differently.
Examples might include:
· Blew and Blue
· Bare and Bear
· Weak and Week
· Plain and Plane
Homographs are words that are spoken and spelled the same, yet have multiple meanings, typically based upon context.
Examples might include:
These special words are but only a couple of examples of technique and wording that are available to the savvy stand-up.
One can edit a page of ideas, good or bad.
One cannot edit a blank page. One can only fill it up.
Editing your ideas and material is arguably, every bit as important as writing those ideas down in the first place.
Your ideas are a numbers game. What seems really promising the day you thought of it, Sunday, can invite a “What the hell was I thinking of..?” response when you review it on Tuesday.
Good. That’s personal quality control in full effect.
If you write ten ideas down on Sunday and by Tuesday just a couple of them aren’t embarrassing, then hey, you got two or three new ideas that have passed the first-round filter.
Do this five days a week (I won’t suggest seven days a week, I’m not a monster!) and within a week, you’ll hopefully have double-digit ideas with potential.
Start drilling into them, flesh them out. Some won’t make the grade. They get dropped in this second round of filtration. Or maybe held back for a review another time, another frame of mind.
What remains… well, they seem promising.
Ideally there is now a flow of fresh ideas and time spent developing the best. It’s a reassuringly bright prognosis for creating some solid stand-up.
Your brain is a muscle and comedy requires brain-power.
Exercise your brain, whenever and however you wish, with regular writing.
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